General chit chat and witterings – In Dub We Trust!

One of my listeners contacted me yesterday to tell me of a new website he thought I might be interested in:  It’s a virtual party based in which you can listen to DJs, become a DJ yourself or share the decks with your friends.

Having listened to a few people DJ in Second Life I was quite interested, but it’s the collaborative aspect that makes this much cooler, plus there’s no need to use a costly server (such as shoutcast or the like) as all the tracks are uploaded in advance and played from the site directly.

There’s also a chat room, the opportunity to pimp your avatar and the ability to send someone a virtual drink. Needless to say I think this is very cool.

So, why not head down to the “In Dub We Trust” room (setup by RussDaFari, my listener, based on the East Coast of the US) and checkout our dubs, join in and enjoy the party.  You’ll find me hiding under the DJ pseudonym “Audacious P Dubdaddy – In Dub We Trust!2018-04-20T12:46:03+00:00

Delhi 2 Dubland EP

I downloaded this curious mix of Irish, Bhangra & Reggae beats from bandcamp yesterday, thanks to a recommendation from Dubmatix. It’s awesome, and for £3 (that’s CAD$5, US$4.75 or EUR 3.56) it’s a steal!

Delhi 2 Dubland EP2011-10-01T13:44:17+00:00

Occasional Mixclouds

Some of you may have noticed I’ve been uploading some “occasional” mixes up to Mixcloud. Now you can also download these from….

Occasional Mixclouds2018-04-20T12:46:04+00:00

Chairman of the bored?

A colleague at work just sent me a link to Scott Adams’ latest post entitled “The Heady Thrill of Having Nothing to Do“.  Dilbert always seems to be experiencing the same insanity at work as I experience, so  it’s hardly surprising this article from Dilbert’s creator has got me thinking.

Adams comments that “experts say our brains need boredom so we can process thoughts and be creative”.  Well, it was certainly boredom at work that inspired me to create my first podcast, way back in January 2006, and again just last month to launch my own netlabel.   But am I actually getting enough boredom?

I mostly work from home.  It makes sense, because most of the people I work with are based in the US, Germany, Finland, India, or even Singapore. What’s the point in driving 62 miles (each way) to sit with people I rarely work with, when I can commute to my home office in 30 seconds.  I still go into the office about once per week, for some face-to-face conversation, some mutual piss-taking and the occasional meeting, but that’s all.  Oh and breakfast. Don’t forget the appeal of a “Full English”.

Whilst this is great for the work/life balance and all, I wonder if I’m actually missing something.  I used to listen to way more podcasts when I drove the 70+ miles (each way) each day to my previous job, and now I don’t find quite so much time to indulge. There’s something about travelling the same stretch of those monotonous motorways day-in, day-out, that gives you time to contemplate another person’s poiunt of view: either musically, politically or emotionally. It was boring.

That said, I do tend to jack-in to the iPod when I take my evening constitutional walk around the village.  And no, I’m not hyped up on the “sickest” dubstep beats when I’m cruising down the high street: I’m probably catching up with The Archers.

But is that a sensible thing to do? Adams goes on to talk about fast-forwarding through his favourite TV programs, checking his email when he’s waiting in a queue, or making sure he’s blogging about blogs (D’Oh, just like I’m doing here). He’s filling up his day with stuff my making sure he’s not listening or watching other stuff.  I’m just the same.

So, when was the last time I just did nothing?  Without falling asleep that is. I’m pretty good at falling asleep when I’m doing nothing. I guess it was a long time ago.

This evening I shall not be doing stuff. I shall not be reading my emails. I shall not be checking the feeds to see if there’s a new release from one of my favourite netlabels. Instead I shall take a walk without my iPod and I shall look and listen to this amazing planet.

Who knows: I maye even get bored!

Chairman of the bored?2018-04-20T12:46:07+00:00

Voting is Open for the Euopean Podcast Awards 2011

The European Podcast Awards have just opened for nominations and voting for 2011. As you know, I was the “Personality” winner in 2010, but I cannot take part in the 2011 awards.  No matter, because there are lots of excellent podcasts out there, just waiting to be voted for. Go here to the European Podcast Award website and vote for your favourites.

So if you like a podcast (or several) go along and vote (you can vote every day). If the podcast you like is not available for voting then give the podcaster a nudge and get them to register!

Voting is Open for the Euopean Podcast Awards 20112018-04-20T12:46:09+00:00

Great night at #tassebier

Just two days after an excellent (but tiring) #podcrawl in London, I was fortunate enough to have another netaudio meetup in the shape of Berlin’s #tassebier meet ups. Started by Peter Withoutfield from BlogRebellen and organized through twitter this is a regular, informal meetup of bloggers, netlabelists, podcasters, musicians, promoters and other creative music people.

Listen out for some audio I recorded at both #podcrawl and #tassebier in next Saturday’s PCP (PCP#352 to be precise). There’s also a video interview recorded by Peter, of myself and Volker Tripp from the Id.EOLOGY netlabel, which will probably come out soon.

Very interesting ideas shared, especially about “#tassebier deluxe” which has bands and DJs playing.  “#podcrawl deluxe” sounds like a great idea for the UK……!

Great night at #tassebier2018-04-20T12:46:17+00:00

A cup of beer (or two) in Berlin

I’m off again to Berlin next week and I really looking forward to meeting up with some Berlin netlabelists, musicians, podcasters and bloggers at one of their #tassebier (a cup of beer) meet-ups.

It all started with the interview I did in pcp#344 when I talked to Volker and Dub One! from Id.OEOLOGY and I told them I hoped to be back in the city again soon, and it would be good to talk over a beer.

Well that time has come, and Volker has invited a load of his fellow netaudio friends to join in.  It’s even been blogged about on the website by Peter Withoutfield, so if you’re in the area, come and join us:

Time: Monday 23rd May from 8pm
Location: Fire Bar, Krausnickstraße 5, 10115 Berlin Location: Fire Bar, Nick Kraus Strasse 5, 10115 Berlin
Google Places Profile

A cup of beer (or two) in Berlin2018-04-20T12:46:18+00:00

Review of Netaudio London Conference 2011

I attended Netaudio London Conference on Sunday 15th May with my good friend, netlabel owner and musician Vince Millet, from Secret Archives of the Vatican. Vince has written his own blog post on the conference, which I urge you to read, but here are my own observations and musings.

This was my first time at at Netaudio conference, but have attended excellent unconferences, barcamps and panel discussions before, so was looking forward with an open mind, and open ears, to a fascinating discussion. If I was to try and explain my feelings in the language used in the conference it would go something like this….. (ahem)….

“The didactic invective of the panel, produced, in me, a strong sense of anomie. Perhaps I was not attuned to the Marxist zeitgeist, but the the balance between Gemeinschaft and Gesellschaft were clearly at odds with my sub-cultural expectations, leading me to engage in a degree of Schadenfreude.”

In short I didn’t really understand what the panel were talking about, because I don’t speak bollocks.

The day was split into three panels:

  1. Politics, Protest and Sound
  2. Creativity and Collaboration in the Internet Era
  3. Digital Futures and Analogue Survivals

In my view there was only two high-points. In the second panel the high point was Tamara Barnett-Herrin, who explained how she turned her musical “writers block” into a collaborative project, “Calendar Songs”, in which she released one song per month, and then worked with remixers to produce and perform an album in 2008.

In the first panel the high point was Matthew Herbert (keynote) presenting his view of 17 “crises” that the music industry is currently facing, such as technique (for example the overuse of autotune), texture, distribution, listening, philosophy, studios, etc. However the underlying narrative was clearly a Marxist/anti-capitalist agenda, the strength of which I have not heard since I studied sociology in the 1980s, and I thought have died out in the post-Blair era. I should have know better. I was in Camden after all.

As for the other speakers? Well two clearly did not feel they could comfortably “converse” and therefore read their monotonous “essays” verbatim, whilst another spent 30 minutes talking about network hi-fi devices in a presentation that should have take 5 minutes (maximum) to deliver.

Two other presentations talked about the UK Uncut program of actvities and one was from an artist showing her works from as far back as 1965 and had absolutely no relevance to the net or audio.

But it was the underlying Marxist bullshit that got me most annoyed about this event. The blame for all the woes for the music industry was placed firmly at the feet of capitalism, and the cure was anti-capitalism.

Music and musicians have existed long before capitalism was invented, and it’s even easier today to engage in non-capitaist (not anti-capitalist) ventures than it ever has been. Netlabels, where the musician owns the labour and the means of production, are in the ascendance. This is the future of netaudio.

To the organizers of this even I say: 4/10 Must try harder!

Review of Netaudio London Conference 20112018-04-20T12:46:18+00:00

PCP#350 from The Great Escape (Part 3)

Another enjoyable Great Escape Festival for 2011. This time Grumbler and I met up with my daughter, Heather, Peter Clitheroe and Jordan Reyne, for some drinking, gigging and conversation. Here’s who we saw live:

Saturday 14th May 2011

And here are the podcast show notes….

Part Three: Sunday 15th May 2011

This podcast is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. 

PCP#350 from The Great Escape (Part 3)2017-06-29T09:07:16+00:00

PCP#350 from The Great Escape (Part 2)

Another enjoyable Great Escape Festival for 2011. This time Grumbler and I met up with my daughter, Heather, Peter Clitheroe and Jordan Reyne, for some drinking, gigging and conversation. Here’s who we saw live:

Friday 13th May 2011

And here are the podcast show notes….

Part Two: Saturday 14th May 2011


This podcast is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. 

PCP#350 from The Great Escape (Part 2)2017-06-29T09:04:56+00:00

PCP#350 from The Great Escape (Part 1)

Another enjoyable Great Escape Festival for 2011. This time Grumbler and I met up with my daughter, Heather, Peter Clitheroe and Jordan Reyne, for some drinking, gigging and conversation. Here’s who we saw live:

Thursday 12th May 2011

  • Moss, Amsterdam, Netherlands. [Komedia Studio Bar]
  • Flats, London. [Komedia Upstairs]
  • John Cooper Clarke, Manchester. [Komedia Upstairs]

And here are the podcast show notes….

Part One:  Friday 13th May 2011

This podcast is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 Unported License. 

PCP#350 from The Great Escape (Part 1)2017-06-29T09:03:09+00:00

Bye Bye Myspace

Time to shut down my myspace accounts.  As recent articles have shown I’m not alone in thinking myspace is a deadspace, so time to cleanup the mess. I can’t even remember the last time I logged into one of the accounts, but my last status was sometime in 2007, so that says it all.  Nice kick in the eye for Rupert Murdoch!

Bye Bye Myspace2018-04-20T12:46:20+00:00

Now writing for

I’ve just joined the team writing reviews and articles about netlabels at

My first review is for Mikus’ two albums:  Rememberance Dubs, out on Planet Terror Records and Brass Islands of Dub, out on his own new label, Terra Incognita, which I mentioned here a couple of weeks ago.

Here’s a bio of the ……

Netlabelism is a loose bunch of music-addicted people who love to share the most valuable tunes to be found on the internet for free. We pick up quality music on the web and try to give you an overview of the vast range of netaudio (music).

The music albums and ep being reviewed on Netlabelism havn’t necessarily been licensed under Creative Commons by it’s artists. We also listen and present Non-Creative-Commons tunes; as long as the music is free to people! It’s about music, nothing less, nothing more. We basically review Electronica and its various genres , but we are also open to artists producing non-electronical and unusual stuff.

If you have any questions, comments, suggestions or ideas – don’t hesitate to contact us!


If you have a release that you think I’d like and want to let me know then drop me a line at [email protected].


Now writing for Netlabelism.com2018-04-20T12:46:22+00:00
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